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Brendon Marotta

Artistic Statement for The Gods of AI

April 6, 2025 By Brendon Marotta

The following is the artistic statement that opens my new book The Gods of AI: An AI-Generated Art Book. All art is from that book. Buy the full book here.

AI Art Reveals Our Collective Unconscious

Why use AI to create this book?

First, a (non-technical, non-expert) explanation of how AI art works:

An AI-image generator is trained on a large dataset of pictures. A user enters text – a prompt – to tell the AI what they want to create. The AI creates a new image based on the user prompt.

AI-image generators can only create based on their dataset. If I enter my name into an image generator, it cannot produce a picture of me if there are not any pictures of me in the dataset. However, if I enter a celebrity name into the generator it can produce an image of that celebrity since there are thousands of pictures of celebrities. Even concepts like “watercolor” or “cinematic” only work in prompts because the AI has learned from pictures that fit those words.

When I first began experimenting with AI-art, I did what I do with all new technology: I tried to break it. You can learn a lot about a tool by deliberately misusing it. In this case, I tried entering terms that had no clear visual. If you ask the AI for a “car, red,” it’s pretty clear what you’ll get: an image of a red car. However, what happens if you enter a quote, like “God does not play dice with the universe” or “God of language” into the prompt?

It turns out: something amazing.

See what I’m talking about in this image:

The images that this process produced were so incredible that I began using the AI-image generator as a sort of “AI Oracle.” I’d enter concepts into the generator just to see what it would do. The breakthrough entry that lead to the creation of this book was when I tried the prompt “God of Language” and received images of a glowing king rising from an open book. It made me wonder: What does this AI think the other Gods look like? Thus, this book was conceived.

While there has been discussion of AI taking the jobs of artists, this book could only have been created with AI. If I had drawn these images myself or hired an artist to do so, they would have only come from the consciousness of one artist. This book drew from the work of every artist or person who contributed an image to the AI’s dataset. Rather than coming from the consciousness of a single individual, this book came from the collective consciousness of all recorded artists. In other words: AI-art reveals our collective unconscious.

If I enter the word “faith” into an AI-image generator, it will create an image that draws from every image the word “faith” could describe. If I enter “God of Strength” into an AI-image generator, it will create a picture that draws from every image the words “God” and “Strength” could describe, and combine those concepts in unforeseen ways. Although these images might appear new, they draw from humanity’s collective visual history. In some ways, they already existed in our collective consciousness. The AI just revealed them.

For each image, I used only the title of the image as the prompt. If a section is titled “God of Sky,” the only prompt used to create that image was “God of Sky.” Nothing more. This is rare. Prompts usually include many modifiers, such as the medium of art (“pen and ink”), the artist whose style the user wants the AI to copy (“painted by Picasso”), the genre they want (“cyberpunk”), specific techniques or stylistic aspects (“shallow focus”), or even just adjectives they want to apply to the image (“cinematic, epic”). For this project, rather than dictate my choices to the AI, I gave open-ended prompts to see what it would create.

Still, these images are the result of my artistic choices. To create this book, I made between 50 and 500 images per prompt and selected around 4-6 pages worth for each section. Although the prompt was always only the title of the image, I repeatedly upscaled, remastered, and created variations of these images. This subjected the images to a process of evolution, where they improved through repeated change. The result is as much mine as any other art I’ve created.

That said, I did not personally alter these images in any way. What you see in this book is what the AI created. Even text that appears on an image is there because the AI put it there. I simply selected. Every image you see in this book is AI-created.

This technology is new. MidjourneyAI, the AI-image generator I used to create this book, only became available to the public in July 2022. This book was made between September and November 2022. Just months before, it would have been impossible to create this book.

If I had shown you these images twenty years ago and said I spent five hours creating each, you might have told me I had talent and should keep going as an artist. Instead, I spent seconds on each and created them by tapping buttons on my phone. What would have taken a year of work was accomplished in two months. AI produced more than I could include in a single book. I could have filled several.

AI will change everything. This technology will only get better. Technological progress is moving so fast that anything I write about it will be dated by the time this book is published. We’re headed towards full Star Trek Holodeck-level technology. This technology will have immense power in our society.

While we can use this power to create anything we want, there is a second approach. AI can only act on the data it is given. Initially, that data will come from humans. This makes the AI not just a portal to whatever we want to create, but also a mirror. It will reflect who we are back to ourselves.

If you have children, you know that children pick up on everything around them, including behaviors you might not have been consciously aware you were doing. When children offer this reflection, you have a choice to continue the behavior and continue teaching it to the child or change it. Likewise, AI will make us aware of our own unconscious.

None of us have the awareness of an AI, because no one can hold the complete history of human visual representation in their mind. An AI can. Not only that, it can analyze that history and produce images based on patterns we might never have noticed. To call it “artificial intelligence” is a misnomer. It is intelligence. In time, “advanced intelligence” might be a better description.

This project uses AI to visualize the Gods. Divination is a practice that extends back before recorded history. Ancient people used tea leaves, the lines in their hands, and the stars in the sky to determine the will of the Gods. They thought their Gods were “out there” in the universe. We recognize now that “the Gods” exist in our own imagination and that when we try to interpret Their signs we are looking at aspects of ourselves as much as the universe.

I’ve given each section a tarot-style interpretation, sharing what I see in the image, but I encourage you to look at them for meaning yourself. Since these images come from our collective visual history, they have a reflection for everyone. Dwell on them. See what happens.

AI is not typically thought of as a spiritual tool, yet it can be used as one. In the divination method I developed for this book, AI acts as a channel for our collective consciousness. It draws forth ideas that already exist. On some level, The Gods of AI are already how we view the Gods.

Or maybe they’re just pretty pictures? Who can say.

Enjoy the book.

– Brendon Marotta
November 2022

Buy The Gods of AI: An AI-Generated Art Book here.

Introducing Strange Aura

October 23, 2024 By Brendon Marotta

I am now creating music with AI under the name Strange Aura.

Strange Aura is an AI-powered genre-mixing musical storytelling project.

Each track and album arises from a character’s inner world or a central concept, with the genre and vocals tailored to reflect their unique psyche, emotional landscape, and underlying themes. Through these immersive personas and thematic arrangements, Strange Aura explores deeper themes around human psychology and the differing ways we perceive the world. Each project explores a new concept, inviting listeners to journey through alternate realities, philosophical questions, and complex narratives through music.

You can listen to Strange Aura on all music platforms here.

Learn more: https://strangeaura.com/

Did American Circumcision Receive 100 Million Views On Netflix?

June 22, 2024 By Brendon Marotta

In 2018, my documentary American Circumcision trended on Netflix. It was on the platform for 1.5 years. Netflix does not release viewership data, so I never knew exactly how many people saw it, but based on the amount I saw on social media and the fact Netflix had 139 million subscribers in 2018 I knew it was a lot.

Since 2018, Netflix has released more data for its trending films — data that an AI could use to estimate the likely viewership of a previous trending film. To get an estimate for how many saw the documentary, I asked ChatGPT “How many views would a film have needed to trend on Netflix in 2018?” It wrote:

In 2018, a film needed around 10-15 million views within its first week to trend on Netflix, based on viewership patterns and competition at the time.

When I followed up with the question: “If a documentary film trended in 2018 and was on the platform for 1.5 years, how many likely saw it?” it replied:

If a documentary trended in 2018 and was on Netflix for 1.5 years, it likely received 50-100 million views, considering its initial popularity and continued accessibility on the platform.

American Circumcision likely received 10-15 million views in the first week and 50-100 million during its run on Netflix.

Of course, this is just according to AI. Only Netflix has exact numbers.

Watch the film here.

Benjamin Gregg on Human Rights, Social Constructs, and Genetic Engineering

June 4, 2024 By Brendon Marotta

Are human rights a social construct? Professor Benjamin Gregg, author of Human Rights as Social Construction and Creating Human Nature: The Political Challenges of Genetic Engineering, argues they are, but thinking of human rights as a social construct strengthens them. In this in-person discussion, we explore how political communities can self-author human rights, whether or not human rights require cultural imperialism to impose, and the human rights questions raised by genetic engineering.

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Resources:

  • Human Rights as Social Construction by Benjamin Gregg
  • Creating Human Nature: The Political Challenges of Genetic Engineering by Benjamin Gregg

Amazon affiliate links used.

Subscribe and support the show directly:
https://brendonmarotta.com/show/

Attachment Parenting with Barbara Nicholson and Lysa Parker

April 25, 2024 By Brendon Marotta

Attachment Parenting International (API) co-founders Barbara Nicholson and Lysa Parker discuss attachment parenting and their book Attached at the Heart: Eight Principles for Raising Connected and Compassionate Children. We talk about parenting multiple children at the same time, finding support as parents, and how to ensure your children have stable connections. Plus, Brendon makes a personal announcement.

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Resources:

  • Attached at the Heart: Eight Principles for Raising Connected and Compassionate Children by Barbara Nicholson and Lysa Parker
  • Attachment Parenting International (API)

Amazon affiliate links used.

Subscribe and support the show directly:
https://brendonmarotta.com/show/

Joshua Lisec on Writing 92 Books, No-Nuance Persuasion, and Defeating Communism

April 11, 2024 By Brendon Marotta

Joshua Lisec is the ghostwriter of over 92 books. Under his own name, he has written So Good They Call You a Fake and the upcoming book Unhumans. In this episode, Joshua shares bold critiques of the publishing industry, fitness and diet propaganda, and communist revolutions. We talk about the challenges of nuance in marketing, finding your tribe through courage, and why Karl Marx was right (about some things).

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Resources

  • So Good They Call You a Fake: Command Attention, Monetize Your Talent Stack, and Become the Uncontested Authority in Your Niche by Joshua Lisec
  • Unhumans: The Secret History of Communist Revolutions (and How to Crush Them) by Jack Posobiec and Joshua Lisec
  • Joshua Lisec’s Website
  • Joshua Lisec on X / Twitter

Amazon affiliate links used.

Subscribe and support the show directly:
https://brendonmarotta.com/show/

Protect Hasidic Jewish Children with Yochanan Lowen

October 24, 2023 By Brendon Marotta

After a Hasidic Jewish upbringing, Yochanan Lowen sued the Canadian government, arguing that his religious education failed to teach him basic information needed to succeed in the world. His story and lawsuit are profiled in the documentary I Want To Know. We talk about his journey, including the abuse he endured, the change he responded with, and how Yochanan is working to protect Jewish children.

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Resources

  • I Want To Know Documentary Film
  • Lowen’s wife’s Patreon
  • Follow Lowen on Clubhouse
  • Ari Hershkowitz on Hasidic Jewish Change

Subscribe and support the show directly:
https://brendonmarotta.com/show/

Documentary Filmmaker Sues Jewish Nonprofit That Attempted to Cancel Film on Anti-Circumcision Movement

September 10, 2023 By Brendon Marotta

Documentary Filmmaker Sues Jewish Nonprofit That Attempted to Cancel Film on Anti-Circumcision Movement

Boise, Idaho – Sept 6, 2023 – A high-profile lawsuit has been filed in Idaho over a smear campaign that aimed to silence a documentary on the anti-circumcision movement. Brendon Marotta, the filmmaker behind the 2017 Netflix-trending documentary, “American Circumcision,” is suing Bruchim, a Jewish nonprofit, claiming their founders engaged in malicious and deceptive actions to malign him and his work.

The lawsuit was officially filed on August 28, 2023 in Idaho, where Bruchim is headquartered. Marotta’s suit alleges that Bruchim’s founders engaged in a covert campaign involving secret meetings with activists and press to label him as a “white supremacist” and “antisemite,” with the goal of tarnishing the reputation of his film and preventing it from gaining traction.

Marotta, a vocal advocate for social justice issues who is married to a Native American woman, expressed his dismay at Bruchim’s claims against him. “The only reason they made an accusation this stupid is because they thought they’d never get caught.” Marotta has stated publicly that Bruchim’s founders made deliberate attempts to conceal their campaign, since they knew their false claims could result in legal action.

Bruchim’s founder, Eliyahu Ungar-Sargon, produced a less-successful documentary on Jewish circumcision before Marotta’s film was released, making Ungar-Sargon a direct economic competitor to Marotta. “This is the least credible person they could have chosen for their smear campaign,” says Marotta. “It is unfortunate that those who speak up in defense of children endure such bad-faith attacks.”

Eliyahu Ungar-Sargon, brother to Newsweek editor Batya Ungar-Sargon, has since publicly accused Marotta specifically (and the intactivist community generally) of white nationalism and antisemitism, claiming that  the movement is full of “white, aggrieved men” who “have always been the bull’s eye for fascists.” As the legal process unfolds, it is expected that further details surrounding Bruchim’s activities will come to light.

For further information on this case including the full text of the lawsuit, or to request an interview with Brendon Marotta, please contact Brendon Marotta at press AT BrendonMarotta DOT com.

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